A veteran hitman breaks in his apprentice over a single night — while his wife, always in frame and never looked at, prepares her own metamorphosis.
A warm, lived-in apartment. Echo — real name Felix — is an operator who cannot sit still. He has a job from Viktor, a voice on the phone: to break in Jonah, an apprentice on his first assignment.
Behind them a television runs a nature documentary about metamorphosis. In the empty space beside Echo, Iris, his wife, cooks with her back to the camera — present, never looked at. Under the noise of the pan, she lifts the receiver and dials.
The real suspense is not who pulls the trigger. It is who the camera refuses to look at.
A slow burn. A chamber thriller where the cut is the gaze — and what the camera refuses to cut to (Iris) turns out to be the story. Auteur cinema with a universal genre engine.
Warm, lived-in, with a thin layer of grime — at skin temperature. One cold source in the room: the television. 2.39 anamorphic, 16mm grain.
Living room, table and kitchen in the same wide frame. The sofa faces the television.
A neutral place — an apartment that could be anywhere in the world.
A public screening in Cluj, November 2026, supported by the Cluj City Hall — real audience, press, a real event.
A strong, exportable concept. An auteur thriller made for international selection. Targets: Berlinale, Sundance.
A fiction portfolio sold internationally. We don't promise — we show.
One location, a compact cast — full production control and every euro on screen.
A public event, November 2026, with partner names announced on stage.
Communication across KSM channels and in local and national press.
Selections and screenings, in Romania and abroad.
Logo and mention in the film's end titles and on all official materials.
Analog look, c. 1988-94. 16mm grain, warm and worn. One cold light source in the room.
Living room, table and kitchen in a single wide frame. Built and dressed for the camera.
A compact cast and a tight crew. Full production control, every euro on screen.
Seven shooting days in Cluj-Napoca, Romania.
Equipment partners already on board: Nanlite / Bebob / Hollyland
A sponsored post lives for a week. A short film keeps screening for years, in rooms full of the people who buy your equipment.
Your gear on a real narrative set - actors, a director, a lighting plan, a 2.39 anamorphic frame. Not a studio demo. Stills and behind-the-scenes video, yours to publish.
Nanlite, Bebob and Hollyland are already on this film. The credit block is being written now.
One room, seven days, one city. Nothing travels, nothing ships abroad, everything comes back on a date agreed in writing.
Named in every press release, in the end titles, and in front of festival audiences across Europe - long after the shoot is over.
The film is being made either way. What we are offering is a place in the credits of one that travels.
Pre-production. Cast attached, location secured, equipment partners confirmed.
Seven shooting days, Cluj-Napoca.
Public premiere in Cluj, supported by the Cluj City Hall.
International festival circuit.
Bogdan Marginean
Producer / KSM Production
+40 742 001 390 · bogdan.marginean@ksmproduction.ro
ksmproduction.ro · @bmarginean1